Fodor's Expert Review State Hermitage Museum

Leonardo's Benois Madonna, Rembrandt's Danaë, Matisse's The Dance ... one of the world's most famous museums is virtually wallpapered with celebrated paintings, part of the former private art collection of the tsars. In addition, the walls are works of art themselves, for parts of this collection are housed in the lavish Winter Palace, one of the most outstanding examples of Russian baroque magnificence. The museum takes its name from Catherine the Great (1729–96), who used the palace for her private apartments, intending them to be a place of retreat and seclusion. "Only the mice and I can admire all this," the empress once declared.

Between 1764 and 1775, the empress undertook, in competition with rulers whose storehouses of art greatly surpassed Russia's, to acquire some of the world's finest works of art. Sometimes acquiring entire private collections outright, she quickly filled her gallery with masterpieces from all over the world. This original gallery section of the Hermitage, completed in 1770 by Vallin de la Mothe, is now known as the Maly (Little) Hermitage. It's attached to the Stary (Old) Hermitage, which was built in 1783 by Yuri Felten to house the overflow of art (it also contained conference chambers for the tsarina's ministers). Attached to the Hermitage by an arch straddling the Winter Canal is the Hermitage Theater, built between 1783 and 1787 by the Italian architect Giacomo Quarenghi. Yet another addition, the New Hermitage, was built between 1839 and 1852 under Catherine's grandson, Nicholas I; it became Russia's first public museum, although admission was by royal invitation only until 1866. Its facade is particularly striking, with 10 male figures cut from monolithic gray granite supporting the portico. Today's Hermitage is one of the world's richest repositories of art; it was continually enlarged with tsarist treasures and acquisitions, all later confiscated and nationalized, along with numerous private collections, by the Soviet government after the 1917 Bolshevik Revolution.

The entrance to the museum is through the main gates on Palace Square; during peak tourist season and at times of special exhibitions you may encounter long lines. Note that ticket-takers are strict about checking oversize bags and about foreigners trying to enter on Russian-rate tickets. Those experienced employees can easily tell foreigners even if you try to keep silent.

With more than 400 exhibit halls and gilded salons, it's impossible to see everything here in a single day. Since you probably only have a few hours, be sure to take in the major attractions, which include Egyptian mummies and Scythian gold; the splendid halls of Russian tsars; the Peacock Clock; the great paintings of Leonardo, Rembrandt, Van Dyck, and Velázquez; and the outstanding collection of Impressionists and Postimpressionists.

The museum's eight sections are not clearly marked, and the floor plans available are not very useful, though they are in English as well as Russian. To orient yourself before your trip, you can go on a virtual tour of the museum on the website. Don't be shy about asking the guards to point you in the right direction. There's also a helpful information desk in the main hall, before you go into the museum, where you can ask specific questions.

On the second floor, you can start with the French art of the 19th century, where you'll find Delacroix, Ingres, Corot, and Courbet. You then come to a stunning collection of Impressionists and Postimpressionists, originally gathered mainly by two prerevolutionary industrialists and art collectors, Sergei Shchukin and Ivan Morozov. They include Monet's deeply affecting A Lady in the Garden, Degas's Woman at Her Toilette and After the Bath, and works by Sisley, Pissarro, and Renoir. Sculptures by Auguste Rodin and a host of pictures by Cézanne, Gauguin, and van Gogh are followed by Picasso and a lovely room of Matisse, including one of the amazing Joys. Somewhat later paintings—by the Fauvist André Derain and by Cubist Fernand Léger, for example—are also here. Rounding out this floor is the museum's collection of Asian and Middle and Near Eastern art, a small American collection, and two halls of medals and coins.

The best deal is to buy a two-day combined-entrance ticket, which allows you to visit the State Hermitage Museum and three other museums: the original, wooden Winter Palace of Peter the Great, accessible through a tunnel from the museum (historians believe this tunnel is the site where Peter died); the General Staff Building; and Menshikov Palace.

Tours in English (of several sections of the museum or just the Treasure Gallery) are available. Tours are normally given once or twice a day around noon, 1, or 2 pm, but make sure to call a day before to figure out the exact time. Tours tend to be rushed and you may want to return on your own. Consider hiring a private guide from outside the museum instead—their licensing requires a year of study and training and they'll take their time explaining the artwork to you.