Mexico City

Mexico City's principal sights fall into three areas. Allow a full day to cover each thoroughly, although you could race through them in four or five hours apiece. You can generally cover the first area—the Zócalo and Alameda Central—on foot. Getting around Zona Rosa, Bosque de Chapultepec, and Colonia Condesa may require a taxi ride or two (though the Chapultepec metro stop is conveniently close to the park and museums), as will Coyoacán and San Angel in southern Mexico City.

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  • 1. Alameda Central

    Alameda Central

    The manicured gardens of the Alameda Central at the western edge of the Centro have been the heart of Mexico City life since the height of the city's pre-Hispanic glory, when informal markets were held here. Strolling around the park today remains a great way to break up sightseeing in the neighborhood. During the week it's quite lively, but you'll be able to find a shaded bench for a few moments of rest before heading off to more museums. There are food vendors throughout the park, selling all kinds of snacks, from ice cream to grilled corn on the cob. In the early days of the viceroyalty, the Inquisition burned its victims at the stake here. Later, national leaders, from 18th-century viceroys to Emperor Maximilian and the dictator Porfirio Díaz, envisioned the park as a symbol of civic pride and prosperity. Life in Mexico, one of the quintessential texts on daily life in the colonial period, written by the British countess Frances Calderón de la Barca, describes how women donned their finest jewels to walk around the park even after independence. Over the centuries it has been fitted out with fountains and ash, willow, and poplar trees; through the middle of the 20th century, it became a popular gay cruising ground. Today, the Alameda is one of the best places in town to see people from all walks of life, mingling in the shadow of some of the city's most iconic buildings.

    Mexico City, Mexico City, 06050, Mexico
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  • 2. Bosque de Chapultepec

    Bosque de Chapultepec

    This 1,600-acre green space, literally translated as Chapultepec Forest, draws hordes of families on weekend outings, along with cyclists, joggers, and horseback riders into its three sections, which are divided from east to west by major roads. The first section is the oldest and the most frequented, as it is closest to the city center and home to many museums and other attractions. The second section is much quieter, with plenty of space for recreational activities, while the third section is largely undeveloped and generally functions as an ecological reserve. At the park's principal entrance, the Monumento a los Niños Héroes (Monument to the Boy Heroes) commemorates the young cadets who, it is said, wrapped themselves in the Mexican flag and jumped to their deaths rather than surrender during the U.S. invasion of 1847. To Mexicans, that war is still a troubling symbol of their neighbor's aggression: it cost Mexico almost half its territory—the present states of Texas, California, Arizona, New Mexico, and Nevada. Other sights in the first section of Bosque de Chapultepec include a castle, three small boating lakes, a botanical garden, and the Casa del Lago cultural center. You'll also find Los Pinos, the ex-residential palace of the president of Mexico, which is now open to the public for the first time thanks to Mexico's current president, Andrés Manuel López Obrador.

    Mexico City, Mexico City, 11100, Mexico

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    Rate Includes: Free
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  • 3. Castillo de Chapultepec

    Bosque de Chapultepec

    The castle on Cerro del Chapulín (Grasshopper Hill) within Bosque de Chapultepec has borne witness to all the turbulence and grandeur of Mexican history. In its earliest form it was an Aztec palace, where the Mexica made one of their last stands against the Spaniards. Later it was a Spanish hermitage, gunpowder plant, and military college. French emperor Maximilian used the castle, parts of which date from 1783, as his residence, and his example was followed by various presidents from 1872 to 1940, when Lázaro Cárdenas decreed that it be turned into the Museo Nacional de Historia. Displays on the museum's ground floor cover Mexican history from the conquest to the revolution. The bathroom, bedroom, tea salon, and gardens were used by Maximilian and his wife, Carlotta, in the 1860s. The ground floor also contains works by 20th-century muralists O'Gorman, Orozco, and Siqueiros, and the upper floor is devoted to temporary exhibitions, Porfirio Díaz's malachite vases, and religious art. From the garden and terrace, visitors can enjoy sweeping views of the city skyline.

    Section 1, Mexico City, Mexico City, 11580, Mexico
    55-5256–5464

    Sight Details

    Rate Includes: MX$75, Tues.–Sun. 9–5, Closed Mon.
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  • 4. Catedral Metropolitana

    Centro Histórico

    The majestic cathedral that forms the northern side of the Zócalo is nothing less than the heart of Mexico City, its most famous building, and the backdrop to many of the country's most important historical events. Construction on the largest and one of the oldest Latin American cathedrals began in the late 16th century and continued intermittently throughout the next 300 years. The result is a medley of baroque and neoclassical touches. There are 5 altars and 14 chapels, mostly in the ornate churrigueresque style, named for Spanish architect José Benito Churriguera (1665–1725). Like most Mexican churches, the cathedral is all but overwhelmed by innumerable paintings, altarpieces, and statues—in graphic color—of Christ and the saints. Over the centuries, this cathedral began to sink into the spongy subsoil, but a major engineering project to stabilize it was declared successful in 2000. The older-looking church attached to the cathedral is the 18th-century Sagrario chapel. Guided tours of the bell towers were discontinued following the 2017 earthquake, but crypt tours in Spanish are available daily from 11 am to 5 pm for MX$40 per person; inquire at the main entrance.

    Mexico City, Mexico City, 06000, Mexico
    55-4165–4013

    Sight Details

    Rate Includes: Free, Daily 8–8
  • 5. Galería OMR

    Roma Norte

    Set within a typical-looking Roma house with an early 20th-century stone facade, Galería OMR has been a leader in the city's contemporary arts scene since it opened in 1983. It contains dramatic, light-filled exhibit spaces on two levels as well as an art library, a bougainvillea-filled courtyard, and a roof-deck with grand views of the neighborhood. The gallery also has a strong presence in international art fairs and art magazines.

    Calle Córdoba 100, Mexico City, Mexico City, 06700, Mexico
    55-5207–1080

    Sight Details

    Rate Includes: Weekdays 10–3 and 4–7, Sat. 10–2
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  • 6. Jardín Centenario and Plaza Hidalgo

    Coyoacán

    These infectiously festive plazas function as Coyoacán's zócalo and are barely separated from each other by a narrow, slow-moving street. The Jardín, with its shading trees, an oft-photographed fountain with two snarling coyotes, and a fringe of lively patio bars and restaurants (of varying culinary repute), is the more commercial—but also arguably the prettier—of the two. The larger Plaza Hidalgo hosts children's fairs, musical and dance performances, clowns, bubble blowers, and cotton candy and balloon sellers, especially on weekends and holidays. It's anchored by an ornate old bandstand and the impressive Parroquia de San Juan Bautista, one of the first churches to be built in New Spain. Each afternoon of September 15, before the crowds become suffocating at nightfall, these delightful plazas are perhaps the best place in the capital to enjoy Independence Day celebrations. More recently, they've become the city's must-go for Día de Muertos in early November, with throngs of people of all ages cavorting about in costume and face paint. Both plazas are filled with landscaped courtyards, public art installations, and dozens of park benches, and they're a memorable destination for people-watching. You'll see passersby of all ages and backgrounds, from multigenerational families and young couples of all sexual orientations cuddling, kissing, and holding hands, to tourists from all over the world, and locals walking their dogs (who are often gussied up in sweaters and bows).

    Mexico City, Mexico City, 04000, Mexico
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  • 7. Monumento a la Independencia

    Juárez

    Known as El Angel, this Corinthian column topped by a gilt angel is the city's most uplifting monument, built to celebrate the 100 anniversary of Mexico's War of Independence. Beneath the pedestal lie the remains of the principal heroes of the independence movement; an eternal flame burns in their honor. As you pass by, you may see one or more couples dressed in their wedding apparel, posing for pictures on the steps of the monument. Many couples stop off here before or after they get married, as a tribute to their own personal independence from their parents.

    Mexico City, Mexico City, 11580, Mexico
  • 8. Monumento a la Revolución

    Alameda Central

    The bronze art deco dome of the monument commemorating Mexico's bloody, decade-long revolution, which began in 1910, gleams like a beacon at the end of Avenida Juarez, one of the Alameda's busiest thoroughfares. Take an elevator to the observation deck up top, which offers 360-degree views of the city, or admire the Oliverio Martinez sculptures that adorn the four corners of the monument from below. There's also a small café and museum devoted to the history of the Revolution accessible at an additional cost. Lit up nightly at 10 pm, the monument is a moving sight. At the base of the pillars lie the remains of important figures from 20th-century Mexican history, including those of Pancho Villa.

    Plaza de la República, Mexico City, Mexico City, 06030, Mexico
    55-5592–2038

    Sight Details

    Rate Includes: From MX$60, Mon.–Thurs. noon–8, Fri. and Sat. noon–10, Sun. 10–8
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  • 9. Museo Casa de Leon Trotsky

    Coyoacán

    From the house's original entrance on Calle Morelos (around the corner from the current museum entrance) with its forbidding high walls and turrets for armed guards, you get a sense of just how precarious life was for its final resident, Leon Trotsky, one of the most important figures of the Russian Revolution. Living in exile, Trotsky moved his family here in 1939 at the behest of his friends Diego Rivera and Frida Kahlo (whose own Casa Azul is just a few blocks away). Less than a year later, he would be assassinated. The house and adjoining exhibit galleries make for an eerily fascinating glimpse of Trotsky's later life and death. As you walk through the house, which looks largely as it did the day of his death, you'll see bullet holes still in the walls from the first assassination attempt, in which the muralist David Alfaro Siqueiros was implicated. The rooms include his bedroom, his wife's study, the dining room and kitchen, and the study where assassin Ramón Mercader (a man of many aliases) drove a pickax into Trotsky's head. On his desk, cluttered with writing paraphernalia and an article he was revising in Russian, the calendar is open to that fateful day: August 20, 1940.

    Río Churubusco 410, Mexico City, Mexico City, 04100, Mexico
    55-5658–8732

    Sight Details

    Rate Includes: MX$40, Tues.–Sun. 10–5, Closed Mon.
  • 10. Museo Casa Estudio Diego Rivera y Frida Kahlo

    San Angel

    This small museum compound is where Diego and Frida lived, painted, loved, and fought (they divorced briefly in 1939) from 1934 to 1940; its three angular red and blue buildings with large multipane windows and a cacti-filled courtyard is stylistically the antithesis of the traditional Spanish Colonial Museo Frida Kahlo just a few miles away in Coyoacán. In the red main house, some of Rivera's final paintings rest on easels, and you can see his denim jacket and shoes on a wicker chair with his modest little bed and side table made up as though the artist might return at any moment. In the building's studio you can view giant papier-mâché sculptures (some of the pre-Hispanic pottery that Rivera collected) and other curious figurines and colorful folk art. The buildings' unusual, and at the time highly avant garde, design are a big part of what makes a visit here so interesting. Architect Juan O'Gorman, who devised these buildings in 1931, was a close friend of Rivera's and lived on the property in a third structure that today, like the blue house that Frida resided in, contains rotating exhibits.Interesting architectural features include several curving concrete exterior and interior staircases, and a bridge that connects the rooftops of Diego's and Frida's homes—a convenient passageway that allowed the two simultaneous access to and space from one another.

    Calle Diego Rivera, at Av. Altavista, Mexico City, Mexico City, 01060, Mexico
    55-8647–5470

    Sight Details

    Rate Includes: MX$35; free Sun., Tues.–Sun. 10–6, Closed Mon.
  • 11. Museo de Arte Carrillo Gil

    San Angel

    This cube-shape art museum built in 1972 by businessman and collector Dr. Alvar Carrillo Gil is one of the top venues in the city for viewing vanguard art. Rotating exhibits showcase contemporary art in a wide range of media, often by young, emerging artists. At times you can also view portions of the immense permanent collection, which consists of more than 2,000 works, about 1,400 of which Gil collected himself. These include more than 50 murals and paintings by José Clemente Orozco as well as important pieces by Rivera, Siqueiros, Klee, and Picasso.

    Av. Revolución 1608, Mexico City, Mexico City, 01000, Mexico
    55-8647–5450

    Sight Details

    Rate Includes: MX$50; free Sun., Tues.–Sun. 10–6, Closed Mon.
  • 12. Museo de Arte Popular

    Alameda Central

    Set in an art deco former fire station (the building itself is reason enough for a visit), the Muso de Arte Popular maintains a gloriously diverse collection of folk art from all of Mexico's 32 states. Expect to find elaborately painted pottery from Guerrero, trees of life fashioned from clay in Mexico State, textiles woven in Oaxaca and Chiapas, and carved masks from Michoacán. Don't forget to stop at the on-site store on your way out for an exceptional collection of crafts sourced directly from communities around the country, by far the highest quality products you'll find in the city.

    Revillagigedo 11, Mexico City, Mexico City, 06050, Mexico
    55-5510–2201

    Sight Details

    Rate Includes: MX$60; free Sun., Tues. and Thurs.–Sun. 10–6, Wed. 10–9, Closed Mon.
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  • 13. Museo de la Ciudad de México

    Centro Histórico

    One of the Centro's most beautiful colonial palaces, built on land originally owned by Hernán Cortés's son Juan Gutiérrez de Altamirano, the Museo is both an excellent example of Mexico City's baronial 18th-century architecture and an interesting place for rotating exhibitions covering a wide range of subjects and interests. The original building was lost, with the current structure dating from 1778 when it was rebuilt as a palatial home for the counts of Santiago y Calimaya. By the early 20th century, the expansive structure had been broken into small, modest apartments, including one where the painter Joaquín Clausell (1866–1935) lived after arriving in Mexico City to study law. Claussel never finished his degree, instead going into exile due to his vocal opposition to the dictatorship of Porfirio Díaz. While in Europe, he learned to paint and ended up becoming one of the most important Impressionist painters in Mexican history. The museum displays historical objects from Mexico City, including antique maps. Clausell's studio is also open to the public, and its walls are covered with his work. Keep an eye out for the stone serpent's head, likely pilfered from the nearby Templo Mayor, embedded in the building's foundations on the corner of Pino Suárez and El Salvador.

    Pino Suárez 30, Mexico City, Mexico City, 06010, Mexico
    55-5542–0487

    Sight Details

    Rate Includes: MX$34; free Wed., Tues.–Sun. 10–6, Closed Mon.
  • 14. Museo del Carmen

    San Angel

    Erected by Carmelite friars with the help of an Indigenous chieftain between 1615 and 1628, this church—with its domes, frescoes, vaulted archways, fountains, and gardens—was never actually a convent, despite its name. Though some locals might tell you otherwise, nuns never actually lived here. The church still operates (you can enter it for free from a separate entrance next door), but part of it has been converted into Museo del Carmen, with a fine collection of 16th- to 18th-century religious paintings and icons. Much of the religious art (along with a captivating collection of photos that depict San Ángel and the southern portions of the city during the early 20th century) is on the second floor of the adjoining Casa de Acueducto, which overlooks another courtyard fringed by an interesting ancient aqueduct. It's also worth visiting the dozen-or-so mummified corpses tucked away in the crypt—a creepy but fascinating sight, for sure. For a perhaps much-needed breath of fresh air, saunter out to the gracious rear garden, with its shady trees and benches. There's usually an excellent temporary exhibit as well, typically touching on some element of Mexico City history and culture.

    Av. Revolución 4, Mexico City, Mexico City, 01000, Mexico
    55-5616–2816

    Sight Details

    Rate Includes: MX$60, Tues.–Sun. 10–5, Closed Mon.
  • 15. Museo Frida Kahlo

    Coyoacán

    The Casa Azul (Blue House), where the iconic artist was born in 1907 (not 1910, as she wanted people to believe) and died 47 years later, is both museum and shrine. Kahlo's astounding vitality and originality are reflected in the house itself, from the giant papier-mâché skeletons outside and the retablos (small religious paintings on tin) on the staircase to the gloriously decorated kitchen and the bric-a-brac in her bedroom. The house displays relatively few of Kahlo's original paintings, but you can admire her early sketches, diary entries, tiny outfits, and wheelchair at her easel, plus her four-poster bed fitted with a mirror above, and in a separate exhibit space across the garden, a collection of her dresses presented in the context of her physical disabilities. The relaxing garden also has a small but excellent gift shop and café. The museum has become astoundingly popular in recent years and carefully limits ticket sales to avoid the house becoming too crowded at any given time—you'll be thankful for this once you're inside, but perhaps less thrilled when you encounter the line to get into the building, which extends down and sometimes around the block daily, especially on weekends. It's highly advisable that you purchase your tickets online in advance, or arrive as early as possible on a weekday.

    Londres 247, Mexico City, Mexico City, 04100, Mexico
    55-5554–5999

    Sight Details

    Rate Includes: MX$230 weekdays, MX$250 weekends (includes admission to Museo Diego Rivera–Anahuacalli), Tues. and Thurs.–Sun. 10–5:45, Wed. 11–5:45, Closed Mon.
  • 16. Museo Mural Diego Rivera

    Alameda Central

    Each one of Diego Rivera's Mexico City murals is equal parts aesthetic revelation and history lesson, offering large overviews of Mexican history, allegorical vignettes from daily life, or, in the case of the single mural on display at the Museo Mural Diego Rivera, a visual rolodex of important figures in the nation's history. That mural, Sueño de una Tarde Dominical en el Parque Alameda (Sunday Afternoon Dream in the Alameda Park), was originally painted on a lobby wall of the Hotel Del Prado in 1947–48 with the controversial inscription "God does not exist," which was later replaced with the bland "Conference of San Juan de Letrán" to placate Mexico's conservative Catholic elites. The 1985 earthquake destroyed the hotel but not the mural, and this small, laser-focused museum was built across the street to house it. Like most of Rivera's murals, this one serves a didactic purpose as well, providing a veritable who's who of Mexico's most important historical figures; their identities are helpfully outlined in English and Spanish on panels facing the painting.

    Balderas 202, Mexico City, Mexico City, 06000, Mexico
    55-1555–1900

    Sight Details

    Rate Includes: MX$35; free Sun., Tues.–Sun. 10–6, Closed Mon.
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  • 17. Museo Nacional de Antropología

    Bosque de Chapultepec

    Architect Pedro Ramírez Vázquez's outstanding design provides the proper home for one of the finest archaeological collections in the world. Each salon on the museum's two floors displays artifacts from a particular geographic region or culture. The collection is so extensive that you could easily spend a day here, and even that might be barely adequate. The 12 ground-floor rooms treat pre-Hispanic cultures by region, in the Sala Teotihuacána, Sala Tolteca, Sala Oaxaca (Zapotec and Mixtec peoples), and so on. Objects both precious and pedestrian, including statuary, jewelry, weapons, figurines, and pottery, evoke the intriguing, complex, and frequently warring civilizations that peopled Mesoamerica for the 3,000 years preceding the Spanish invasion. Other highlights include a copy of the Aztec ruler Moctezuma's feathered headdress (the original is now in Vienna); a stela from Tula, near Mexico City; massive Olmec heads from Veracruz; and vivid reproductions of Mayan murals in a reconstructed temple. Be sure to see the magnificent reconstruction of the tomb of 7th-century Mayan ruler Pakal, which was discovered in the ruins of Palenque. The nine rooms on the upper floor contain faithful ethnographic displays of current indigenous peoples, using maps, photographs, household objects, folk art, clothing, and religious articles. Explanatory labels have been updated throughout, some with English translations, and free tours are available at set times from Tuesday through Saturday, with a prior reservation. You can reserve a special tour (minimum five people) with an English-speaking guide by contacting the museum two weeks in advance. Otherwise, opt for an English audio guide or the English-language museum guide for sale in the bookshop.

    Paseo de la Reforma at Calle Gandhi, Mexico City, Mexico City, 11560, Mexico
    55-5553–6266

    Sight Details

    Rate Includes: MX$75, Tues.–Sun. 9–7, Closed Mon.
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  • 18. Museo Soumaya Plaza Carso

    Polanco

    One of Mexico City's most well-known architectural icons, Museo Soumaya houses the valuable art collection of billionaire philanthropist Carlos Slim, as well as visiting exhibitions. The museum's Plaza Carso branch sits just beyond the edge of Polanco and contains sculptures by Rodin and Dalí and paintings from old masters to modernists and impressionists, including works from the likes of Leonardo da Vinci, El Greco, Tintoretto, Monet, and Picasso. But there are also many Mexican artists represented, including Diego Rivera. Each floor of the museum has a different layout, and you walk along curving ramps (not unlike those in the Guggenheim Museum in New York City) to get from one floor to another. Designed by the Mexican architect Fernando Romero, Slim's son-in-law, the $70 million building has a shape some have likened to a silver cloud, and is covered by thousands of hexagonal aluminum tiles.

    Blvd. Miguel de Cervantes Saavedra 303, Mexico City, Mexico City, 11529, Mexico

    Sight Details

    Rate Includes: Free, Tues.–Sun. 10:30–6:30
  • 19. Palacio de Bellas Artes

    Alameda Central

    Of all the monumental structures in Mexico City's city center, there is probably none more iconic than the Palacio Bellas Arts, with its orange dome, its elaborate belle epoque facade, and its magnificent interior murals. Construction on this colossal white-marble opera house began in 1904 under the direction of the Europhilic dictator Porfirio Díaz. The striking structure is the work of Italian architect Adamo Boari, who also designed the city's post office; pre-Hispanic motifs trim the facade, which leans toward the opulence of the belle epoque while also curiously hinting at the pared-down art deco style that would take hold in the Mexican capital in just a few years. The beginning of the Revolution in 1910 brought construction to a halt and threw the country into economic turmoil for a decade. By the time construction commenced again, the political, economic, and aesthetic world of Mexico had changed dramatically, resulting in an interior clad in red, black, and pink marble quarried in Mexico (the white exterior is from Carrara, Italy) and clear, straight lines that complement the murals by the great Mexican triumvirate of Siqueiros, Orozco, and Rivera, which you can visit for a fee. There are interesting temporary art exhibitions as well, plus an elegant cafeteria and a bookshop with a great selection of art books and magazines.

    Eje Central Lázaro Cárdenas and Av. Juárez, Mexico City, Mexico City, 06050, Mexico
    55-1000–4622

    Sight Details

    Rate Includes: MX$70; free Sun., Tues.–Sun. 10–5:30; cafeteria 11–8, Closed Mon.
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  • 20. Palacio Nacional

    Centro Histórico

    The center of government in Mexico City since the time of the Aztecs, the National Palace's long, volcanic stone facade is both a symbol of political power and a staging ground for acts of resistance. Construction of the national palace was initiated by Cortés on the site of Moctezuma II's royal residence and remodeled by the viceroys. Its current form dates from 1693, although its third floor was added in 1926. The entire building is worth a look, even just for the novel experience of wandering freely through an influential nation's primary seat of government, but most visitors come for Diego Rivera's sweeping murals on the second floor of the main courtyard. For more than 20 years, starting in 1929, Rivera and his assistants mounted scaffolds day and night, perfecting techniques adapted from Renaissance Italy's frescoes. The result is nearly 1,200 square feet of vividly painted wall space, titled Epica del Pueblo Mexicano en su Lucha por la Libertad y la Independencia (Epic of the Mexican People in Their Struggle for Freedom and Independence). The paintings represent two millennia of Mexican history, filtered through Rivera's imagination; only a few vignettes acknowledge the more violent elements of some pre-Hispanic societies. As you walk around, you'll pass images of the savagery of the conquest and the hypocrisy of the Spanish priests, the noble independence movement, and the bloody revolution. Marx appears amid scenes of class struggle, toiling workers, industrialization (which Rivera idealized), bourgeois decadence, and nuclear holocaust. These are among Rivera's finest works—as well as the most accessible and probably the most visited. The palace also houses a minor museum that focuses on 19th-century president Benito Juárez and the Mexican Congress. Other exhibition spaces house rotating, and sometimes quite extraordinary, exhibitions, typically advertised on a large billboard in the Zócalo. The liberty bell rung by Padre Hidalgo to proclaim independence in 1810 hangs high on the central facade. It chimes every eve of September 16, while from the balcony the president repeats the historic shout of independence to throngs of citizens below. Though remarkably accessible, the Palacio Nacional can be closed with little notice for government functions. In order to enter, you might have to leave an ID at the entrance; it's smart to bring yours just in case.

    Mexico City, Mexico City, 06001, Mexico

    Sight Details

    Rate Includes: Free, Mon.–Sat. 9–4, Sun. 9–2

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