8 Best Sights in The Plaza, Santa Fe

One of many East Coast artists who visited New Mexico in the first half of the 20th century, Georgia O'Keeffe, today known as the "Mother of American Modernism," returned to live and paint in northern New Mexico for the last half of her life, eventually emerging as the demigoddess of Southwestern art. At this intimate museum dedicated to her work, you'll find how O'Keeffe's innovative view of the landscape is captured in From the Plains, inspired by her memory of the Texas plains, and in Jimson Weed, a study of one of her favorite plants; additional highlights include selections from O'Keeffe's early days as an illustrator, abstract pieces from her time in New York City, and iconic works featuring floating skulls, flowers, and bones. Special exhibitions with O'Keeffe's modernist peers, as well as contemporary artists, are on view throughout the year—many of these are exceptional, and just as interesting as the museum's permanent collection, which numbers some 3,000 works (although not all are on display as the museum is surprisingly small). The museum also manages a visitor center and tours of O'Keeffe's famous home and studio in Abiquiú, about an hour north of Santa Fe.

Sitting just a block from the Plaza, this fascinating museum is part of the esteemed Institute of American Indian Arts (IAIA) and contains the largest collection—some 7,500 works—of contemporary Native American art in the United States. The paintings, photography, sculptures, prints, and traditional crafts were created by past and present students and teachers. In the 1960s and 1970s, it blossomed into the nation's premier center for Native American arts and its alumni represent almost 600 tribes around the country. The museum continues to showcase the cultural and artistic vibrancy of Indigenous people, helping to expand what is still an often limited public perception of what "Indian" art is and can be. Be sure to step out back to the beautiful sculpture garden. Artist Fritz Scholder taught here, as did sculptor Allan Houser. Among their disciples were the painter T. C. Cannon and celebrated local sculptor and painter Dan Namingha.

This impressive, modern museum anchors a campus that encompasses the Palace of the Governors, the Palace Print Shop & Bindery, the Fray Angélico Chávez History Library, and Photo Archives (an assemblage of more than 1 million images dating from the 1850s). Behind the palace on Lincoln Avenue, the museum thoroughly explores the early history of Indigenous people, Spanish colonization, the Mexican Period, and travel and commerce on the legendary Santa Fe Trail. Inside are changing and permanent exhibits. By appointment, visitors can tour the comprehensive Fray Angélico Chávez History Library and its rare maps, manuscripts, and photographs (more than 120,000 prints and negatives). The Palace Print Shop & Bindery, which prints books, pamphlets, and cards on antique presses, also hosts bookbinding demonstrations, lectures, and slide shows. The Palace of the Governors is a humble one-story neo-Pueblo adobe on the north side of the Plaza, and is the oldest public building in the United States. Its rooms contain period furnishings and exhibits illustrating the building's many functions over the past four centuries. Built at the same time as the Plaza, circa 1610, it was the seat of four regional governments—those of Spain, Mexico, the Confederacy, and the U.S. territory that preceded New Mexico's statehood, which was achieved in 1912. It served as the residence for 100 Spanish, Mexican, and American governors, including Governor Lew Wallace, who wrote his epic Ben Hur in its then drafty rooms, all the while complaining of the dust and mud that fell from its earthen ceiling.

Dozens of Native American vendors gather daily under the portal of the Palace of the Governors to sell pottery, jewelry, bread, and other goods. With few exceptions, the more than 500 artists and craftspeople registered to sell here are Pueblo or Navajo Indians. The merchandise for sale is required to meet strict standards. Prices tend to reflect the high quality of the merchandise but are often significantly less than what you'd pay in a shop. Please remember not to take photographs without permission.

A fonda (inn) has stood on this site southeast of the Plaza for centuries, and architect Isaac Hamilton Rapp built the area landmark that stands there today in 1922. The hotel was sold to the Santa Fe Railway in 1926 and remained a Harvey House hotel until 1968. The property completed its latest major renovation in 2013, its guest rooms receiving a smart but still classic makeover, but the historic public areas retain their original design elements. Because of its proximity to the Plaza and its history as a gathering place for everyone from cowboys to movie stars (Errol Flynn stayed here), it's referred to as "The Inn at the End of the Trail." Free docent tours, which touch on the hotel's rich history and detail key pieces in the astounding public art collection, are offered Wednesday through Saturday morning at 10:30. Step inside to browse the shops on the main floor or to eat at one of the restaurants, including the impressive greenhouse glass-topped La Plazuela. The lobby bar often has live music. In warm months, enjoy a drink at the fifth-floor Bell Tower Bar which offers tremendous sunset views.

This respected gallery near the Plaza carries mostly contemporary representational paintings and sculptures by world-renowned artists as well as impressive works by local and Native artists including Nocona Burgess and B. C. Nowlin. The gallery also features bronze statues and interesting photographs. In 2021, Manitou was sold to gallery owners from Arizona who now run this location and its sister gallery at 225 Canyon Road. Both Manitou showrooms are hard to miss thanks to the beautiful bronze sculptures outside.

In this attractive storefront space a couple of blocks from the Plaza, you can admire works by the most celebrated black-and-white photographers of the 20th century. The focus is on humanist and photojournalist-style photography, and many classic images are available for purchase.

This brick courtyard is an oasis of flowering fruit trees and inviting benches, along with a charming fountain. Surrounding it is a plethora of interesting shops selling clothing, shoes, chocolates, and various other artsy and touristy items. Longtime favorite La Casa Sena has a popular patio that takes up a good chunk of the courtyard, creating a downright magical environment for summer dining. The buildings, erected in the 1700s as a single-family residence, once included quarters for blacksmiths, bakers, farmers, and all manner of help.

Dark, polished wood surfaces, amber lighting, and candelit kiva-style fireplaces infuse Inn at Loretto's intimate spa with a relaxed, understated elegance—especially during Santa Fe's cool winter months, this is a particularly cozy, inviting space for a massage, and the central location near the Plaza makes it a convenient choice for guests of the many nearby hotels. The old-world decor of the five treatment suites (plus a couples suite), some with Vichy showers and antique claw-foot soaking tubs, are especially nice for enjoying one of the spa's half-day packages, including a deluxe 365-minute session that includes sage-scented bath, hot-stone massage, facial, milk-and-honey wrap, manicure and pedicure, and chakra balancing. These services can be booked individually, along with a high-altitude massage geared specifically to Santa Fe's 7,000-foot elevation, and the bracing Café Olé Indonesian coffee scrub. An 80-minute massage is $195, and half-day packages are $330–$775. The gym includes cardiovascular machines, free weights, and weight-training equipment. Yoga classes are offered as well. One drawback: common areas are very limited, as there are no steam rooms, saunas, or hot tubs.